In the mid 90s, shortly after the economic liberalisation of India and the influx of new things like satellite television and international brands of fizzy drink, we had a fairly vibrant pop-music scene for a while. Players new and old broke on to the scene with modern music, slick music videos and experiments in both good and bad taste. The important part was they were giving it a serious shot.
At the time Alisha Chinai had been a playback singer for Hindi films for close to a decade and she made her first serious stab at the pop-music market with an album called Bombay Girl. And what a stab it was.