Falak tak chal saath mere

When the film Tashan was released in early 2008, it had everything going for it. Produced by Yash Raj Films, who had been on a roll for quite a while at the time; Some of the biggest, most dependable stars available, Akshay Kumar, Kareena Kapoor and Saif Ali Khan; An interesting plot; Music by Vishal-Shekhar, who were just coming off the success of their music for Om Shanti Om. In spite of all that, the film mostly proved to be a disappointment in everything but the music department. Almost all the songs in this film are memorable, but the utterly romantic Falak tak chal saath mere stands out the most.
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Kya ada kya jalwe tere Paro

In 1996, Sunil Shetty had more than half a dozen film releases. They were all likely action/revenge/angry-young-man pot-boilers of various kinds, and Shastra was one of them. I’ve never seen the film, from what I can remember, and it is difficult to remember because so many of these very similar products were released in the mid-90s that telling them apart does become a challenge unless you’re a die-hard fan. Shastra was very much a revenge plot, peppered with all the other comedic and romantic elements as a requirements rather than a necessity. Thankfully one such requirements were songs and it gave us the very memorable Kya ada kya jalwe tere Paro.
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Pehla nasha

When Pehla nasha, from Jo Jeeta Wohi Sikandar, first played on screens large and small in 1992, and Aamir Khan appeared in a loud red shirt and flung his sweater into the picturesque landscape behind him, in slow motion, you knew something had changed and that something new was beginning. Pehla nasha went on to establish many firsts, firsts that would change the way Hindi songs were made and visualised for the decades to follow.
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