Abhi na jao chod kar

Heroes and heroines dancing between trees has been an oft repeated cliché for the tropes of Hindi film songs. Like all clichés, it has some basis in fact, even if not as iconic as it has come to be portrayed. At some point, dancing between the trees started as a simple walk between the trees, because in the history of Hindi film, actual synchronised dancing to the music is a relatively recent development. Before such things came to be, matters were slower and simpler for the most part, and a great example of just such walking between the trees is Abhi na jao chod kar from the 1961 film Hum Dono.
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Aise to na dekho

The girl at the window or the balcony is a classic romantic trope, probably tracing back to ancient theatre, lost in the mists of time. In Hindi cinema, with the majority of the audience living in an increasingly crowded urban environment, that quickly turned into lovers at windows in adjacent houses or apartments, forever separated by the insignificant but fathomless divide between buildings. Many a romantic tale, some serious, some light-hearted, have been woven across that gap over the decades. Being Indian cinema, inevitably, songs were sung across the abyss, and Aise to na dekho from the film Teen Devian is a wonderful example of the genre.
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